Today we mark the passing of time, as well as the latest edition of the Ironic Jersey Omnibus, where we examine the jersey as the highest and most subtle form of personal expression. For our latest installment we head west along I-10 on a musty Greyhound bus to the sunny climes of Los Angeles.
I admit: I’ve dragged my feet in moving on to the erstwhile Brooklyn Superbas. This is, I assure you, an entirely personal failing. After all, baseball writers, much like substitute teachers, survive by wielding an essential and almost entirely fictional sense of authority. It’s in this spirit, then, that I am forced to confess that I don’t really know the Los Angeles Dodgers, in the biblical or even the cramming-for-midterm sense.
I know of them, of course. I know that they play in the National League, where the pitching is easy, the fish are jumping, and the cotton, if cotton in this case represents the likelihood of an announcer overpraising the double switch, is high. And I’m not the only writer to lose their way amongst the palms; Roger Angell once complained that the fans needed Vin Scully’s voice broadcast throughout the stadium to tell the fans what they were looking at. It’s a place where the fans are said to arrive in the sixth inning and leave in the fourth. It’s all too easy, I think, to confuse the languid weather of L.A. with the temperament of its paying audience.
You may or may not know how we do things: usually I extract some half-forgotten names of yore, mine the pathos of the franchise’s most recent struggles, make a few pithy comments, hit publish, and go off to bathe in handwashed one-dollar bills. This is still possible! Between 1972 and 2012, with the exception of 2005 and 2006 (when Frank McCourt, in an attempt at nostalgia, stripped the names from the backs of his players), Dodgers lore is filled with the busted prospects and transient former heroes we’ve all come to love.
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